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Konferenzvorträge

2021

  • 07.01.2021:
    Christian Alexius, Film in Comics. Contemporary Representations between Cinephile Practice and Alternative Film Historiography, IAMHIST Master Class on Media and History
  • 11.01.2021:
    Laliv Melamed; Antonio Somaini, Pandemic Media/Media Itineraries, Centre for Digital Cultures Forum, Leuphana University
  • 19./26.02.2021:
    Laliv Melamed, A NonReport, Knowledge and Mediation, Annual workshop, Centre for Comparative Media, Columbia University
  • 03.03.2021:
    Laliv Melamed; Amir Yatziv, Last Night I Visited in the Kingdom of Shadows, Lecture Performance, “Is the Future Here?,” Betzalel Academy of Art
  • 26.10.2021:
    Laliv Melamed, The Operative Image and the Scandal of State Secrecy, Enter the Void Symposium, Johannes Gutenberg University, Mainz in collaboration with Kunsthalle Mainz

2020

  • 05.02.2020:
    Laliv Melamed; Antonio Somaini; Joshua Simon, Metastability, MMK Museum für Moderne Kunst Frankfurt
  • 20.02.2020:
    Alexander Stark, Between Reconstruction, Economic Miracle and Structural Change – Dortmund’s Self-Portrayal in Local Image Films, Urban Layers – Rust Belt and the Ruhr, University of Cincinnati
  • 12.03.2020:
    Rebecca Boguska, Das schwarze Viereck denken oder Skizzen zum theoretischen Potenzial nicht-wahrnehmbarer Rahmen, 33. Film- und Fernsehwissenschaftliches Kolloquium, Hochschule für Bildende Künste Braunschweig
  • 21.10.2020:
    Laliv Melamed in conversation with Maya Schweizer as part of the exhibition Stimmen, Museum Villa Stuck, München, Link
  • 15.11.2020:
    Laliv Melamed, In-Between: Conversation with filmmaker Maysaloun Hamoud, part of the Fall Lecture Series, Skirball Department of Hebrew and Judaic Studies, New York University

2019

  • 07.01.2019:
     Laliv Melamed; Zach Blas, Generic Mannequins, invited talk as part of the lecture series Machine Vision, Le Bal art centre, Paris
  • 06.02.2019:
    Laliv Melamed, Simulated Scenarios: Aviation and the Visual Politics of the Phantasmatic, invited talk, King’s College, London
  • 08.03.2019:
    Marie Sophie Beckmann, Auferstanden aus dem Underground: Das Cinema of Transgression macht Geschichte, 32. Film- und Fernsehwissenschaftliches Kolloquium, Filmuniversität Babelsberg, Potsdam
  •  15.03.2019:
    Laliv Melamed, TV Listings and the Shaping of Social Time, Society for Cinema and Media Studies Annual Conference, Seattle, Washington
  • 24.03.2019:
    Kalani Michell, Taking Down Pictures, Society for Cinema & Media Studies Annual Conference, Seattle, Washington
  • 25.03.2019:
    Antoine Prévost-Balga, Slowing-Down Nuclear Explosions. Rescaled/Reformatted Temporalities, XVII MAGIS – International Film and Media Studies Spring School, Gorizia
  • 25.03.2019:
    Nicole Braida, Media for (which) Change?, XVII MAGIS – International Film and Media Studies Spring School, Gorizia
  • 25.03.2019:
    Andrea Polywka, Beyond Dichotomies: Rethinking the Terminological and Technological Boundaries of the Animated Film, Winter School at the Graduate Academy and the Centre for Animated Research, Doing Animation History: Exploring Challenges and New Visions in Writing Animation Histories, Eberhard Karls Universität Tübingen
  • 29.03.2019:
    Karin Fleck, Record to the Future, Memories of the Future Conference, University of London
  • 16.05.2019:
    Alexander Stark, Amateur Industrial Films from West Germany – The Case of „The Filming Baker’s Wife“, IX encontro anual da AIM, Universidade de Santiago de Compostela
  • 16.05.2019:
    Guilherme Machado, Transferring Labor-related Knowledge in the Cybernetic Age, IX encontro anual da AIM, Universidade de Santiago de Compostela
  • 21.05.2019:
    Laliv Melamed; Zach Blas; Antonio Somaini, Machine Visions, Palazzo Grassi, Venice
  • 24.05.2019:
    Rebecca Boguska, Photographic Media as/and Gestures: A Reflection on the Role of Photography in the Recognition of GTMO Detainees, Pre-Conference „Mediated Recognition: Identity, Justice and Activism“, International Communication Association 69th Conference, Washington D.C.
  • 05.06.2019:
    Laliv Melamed, At Face Value, Lunch paper: Forschungszentrum Historische Geisteswissenschaften, Goethe-Universität, Frankfurt
  • 06.06.2019:
    Laliv Melamed, Here-There: on La Bas by Chantal Akerman, The Films of Chantal Akerman, Deutsches Filminstitut, Frankfurt
  • 06.06.2019:
    Rebecca Boguska, The (Non-) Commodifiable? Torture Photographs from the Abu Ghraib Prison
    , Fotografie und Ökonomie, 5. Workshop der AG Fotografieforschung, Universität Basel
  • 13.06.2019:
    Rebecca Boguska, Narrating (Photographs Showing) Torture?, Structures and Voices: Storytelling in Post-Digital Times – The NECS 2019 Conference, University of Gdánsk
  • 14.06.2019:
    Antoine Prévost-Balga, The Laboratory Life of a Milk Drop, Structures and Voices: Storytelling in Post-Digital Times – The NECS 2019 Conference, University of Gdánsk
  • 14.06.2019:
    Philipp Röding, It’s Hard To Be Down When You’re Up. Elevators As Architectural Storytelling Devices, Structures and Voices: Storytelling in Post-Digital Times – The NECS 2019 Conference, University of Gdánsk
  • 10.07.2019:
    Antoine Prévost-Balga, In Situ Optics, Screening and Discussion with Zachary Formwalt. Mal Seh’n Kino – Frankfurt am Main
  • 29.10.2019:
    Verena Mund, Neue Ellbogenwelt. Maße und Ausmaße von Theken, Ringvorlesung “Das Detail”, Johannes Gutenberg-Universität Mainz
  • 05.11.2019:
    Antoine Prévost-Balga, Camera Atomica. Technicité et temporalité des images des explosions atomique. Workshop « Techno-Images. Configurations visuelles et médias XIX-XXI siècle ». 5 Novembre 2019, Maison de la recherche, Université Sorbonne Nouvelle – Paris 3
  • 09.11.2019:
    Laliv Melamed, Making Memory: post screening discussion, Jüdisches Museum Frankfurt

2018

  • 01.01.2018:
    Laliv Melamed, On Omar Amiralay’s Films, Borders of Documentary, International conference, The Van Leer Research Institute, Jerusalem
  • 29.01.2018:
    Nicola Braida, Der verzweigte Pfad: Interaktives Erzählen über Flucht und Migration, Guest Lecture, Philipps-Universität Marburg
  • 05.03.2018:
    Antoine Prévost-Balga, Turning the Body Power into Data: Technological Control of Performativity, XVI MAGIS International Film Studies Spring School, Gorizia
  • 05.03.2018:
    Philipp Röding, Structure of Feeling, Feeling of Structure, XVI MAGIS International Film Studies Spring School, Gorizia
  • 07.03.2018:
    Nicole Braida, Get the Flow, XVI MAGIS International Film Studies Spring School, Gorizia
  • 07.03.2018:
    Marin Reljic, Between Fight for Justice and Imaginations of Violence. Deconstructive reshaping of a Historical Process in Johannes Kalitzke’s Conemporary Music for Silence Movie „Die Weber“ („The Weavers“, 1927) by Frederic Zelnik, XVI MAGIS International Film Studies Spring School, Gorizia
  • 11.04.2018:
    Alexander Stark, Ménage-à-trois – ElisabethWilms‘ Advertising Film „Flirt mit einer Maschine“, The Love That Speaks Its Name: Advertising Film, New York University
  • 12.04.2018:
    Alexander Stark, „Help us help!“ – German postwar charity films by Elisabeth Wilms, The 11th Orphan Film Symposium, New York University
  • 24.04.2018:
    Laliv Melamed, Maps to the Future: Documentation, Digitality and 3D experimentation, Invited talk, Oxford Brookes University
  • 04.06.2018:
    Karin Fleck, Nostalgia as a time out of joint, Nostalgia in Contemporary Culture Conference, University of Southern Denmark
  • 18.06.2018:
    Andrea Polywka, Hybrid moving images – animation practices and realism in contemporary feature films, 30th Annual Conference of the Society of Animation Studies, Emerging Researchers Seminar, Concordia University, Montréal
  • 27.06.2018:
    Nicola Braida, Media for Change?, Media Tactics and Engagement – The NECS 2018 Conference, Universiteit van Amsterdam and Vrije Universiteit Amsterdam
  • 28.06.2018:
    Alexander Stark, Tactics of a Professional Amateur – Researching Elisabeth Wilms‘ Sponsored Filmmaking, Media Tactics and Engagement – The NECS 2018 Conference, Universiteit van Amsterdam and Vrije Universiteit Amsterdam
  • 29.06.2018:
    Karin Fleck, Touching Records in Films, Media Tactics and Engagement – The NECS 2018 Conference, Universiteit van Amsterdam and Vrije Universiteit Amsterdam
  • 07.07.2018:
    Kalani Michell, Unboxing Film Culture, Edit Film Culture! Festival, Exhibition, Film Series, Berlin
  • 10.08.2018:
    Laliv Melamed, Simulated Scenarios, in: Operating in the Open: Operative Images in Public Discourse, Visible Evidence, Indiana University
  • 07.08.2018:
    Rebecca Boguska, Image Banks, Stock Photography and Documentary Representation, Visible Evidence XXV, Indiana University Bloomington
  • 19.08.2018:
    Alexander Stark, Collaborative Amateur Film Production in Sponsored Filmmaking and the Challenge of Retracing it, Graduate Symposium of the CSF Summer Seminar Media History of the Margins, University of Lausanne, Università della Svizzera Italiana, University of Luxembourg
  • 21.09.2018:
    Nicole Braida, Call for (Inter)Action: The Construction of Solidarity in Interactive Practices, Digital Cultures: Knowledge, Culture, Technology, Universität Lüneburg
  • 11.10.2018
    Marin Reljic, Die Ästhetik des Politischen bei Abel Gance Napoleon – Konzepte, Fragmente und Zitate innerhalb musikalischer (Neu-)Vertonungen, Symposium: Musik als symbolische Form, Travemünde
  • 08.11.2018:
    Laliv Melamed, A Nonreport, Against Documentary, Ruhr-Universität Bochum
  • 15.11.2018:
    Verena Mund, Vor Geschäftsschluss. Chantal Akermans Working Girls-Film Golden Eighties, Lecture + Film series „Chantal Akerman: Die Erfinderin der Formen“, Deutsches Filminstitut und Filmmuseum, Frankfurt
  • 27.11.2018:
    Andrea Polywka, A Technical Marvel –Einsatz und Transparenz von Animationstechniken, 4th Conference of the German speaking Animation Studies Gorup (AG Animation), „In Wirklichkeit…Animation“, FH St. Pölten

2017

  • 05.10.2017:
    Nicole Braida, Ökonomie Interaktiver Webbasierter Praktiken im Bereich des Non-Fiktionalen, Jahrestagung der Gesellschaft für Medienwissenschaft, FAU Erlangen-Nürnberg
  • 09.12.2017:
    Kalani Michell, Cinema Journal in Your Ears: Podcasting Media Studies, Format Matters: Theories, Histories, Practices: An Interdisciplinary Conference, Mainz