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Konferenzvorträge

2019

  • 08.03.2019:
    Marie Sophie Beckmann, Auferstanden aus dem Underground: Das Cinema of Transgression macht Geschichte, 32. Film- und Fernsehwissenschaftliches Kolloquium, Filmuniversität Babelsberg, Potsdam
  • 24.03.2019:
    Kalani Michell, Taking Down Pictures, Society for Cinema & Media Studies Annual Conference, Seattle, Washington
  • 25.03.2019:
    Nicole Braida, Media for (which) Change?, XVII MAGIS – International Film and Media Studies Spring School, Gorizia
  • 25.03.2019:
    Andrea Polywka, Beyond Dichotomies: Rethinking the Terminological and Technological Boundaries of the Animated Film, Winter School at the Graduate Academy and the Centre for Animated Research, Doing Animation History: Exploring Challenges and New Visions in Writing Animation Histories, Eberhard Karls Universität Tübingen
  • 29.03.2019:
    Karin Fleck, Record to the Future, Memories of the Future Conference, University of London
  • 16.05.2019:
    Alexander Stark, Amateur Industrial Films from West Germany – The Case of „The Filming Baker’s Wife“, IX encontro anual da AIM, Universidade de Santiago de Compostela
  • 16.05.2019:
    Guilherme Machado, Transferring Labor-related Knowledge in the Cybernetic Age, IX encontro anual da AIM, Universidade de Santiago de Compostela
  • 24.05.2019:
    Rebecca Boguska, Photographic Media as/and Gestures: A Reflection on the Role of Photography in the Recognition of GTMO Detainees, Pre-Conference „Mediated Recognition: Identity, Justice and Activism“, International Communication Association 69th Conference, Washington D.C.
  • 06.06.2019:
    Rebecca Boguska, The (Non-) Commodifiable? Torture Photographs from the Abu Ghraib Prison
    , Fotografie und Ökonomie, 5. Workshop der AG Fotografieforschung, Universität Basel
  • 13.06.2019:
    Rebecca Boguska, Narrating (Photographs Showing) Torture?, Structures and Voices: Storytelling in Post-Digital Times – The NECS 2019 Conference, University of Gdánsk
  • 14.06.2019:
    Philipp Röding, It’s Hard To Be Down When You’re Up. Elevators As Architectural Storytelling Devices, Structures and Voices: Storytelling in Post-Digital Times – The NECS 2019 Conference, University of Gdánsk

2018

  • 29.01.2018:
    Nicola Braida, Der verzweigte Pfad: Interaktives Erzählen über Flucht und Migration, Guest Lecture, Philipps-Universität Marburg
  • 05.03.2018:
    Philipp Röding, Structure of Feeling, Feeling of Structure, XVI MAGIS International Film Studies Spring School, Gorizia
  • 07.03.2018:
    Nicole Braida, Get the Flow, XVI MAGIS International Film Studies Spring School, Gorizia
  • 07.03.2018:
    Marin Reljic, Between Fight for Justice and Imaginations of Violence. Deconstructive reshaping of a Historical Process in Johannes Kalitzke’s Conemporary Music for Silence Movie „Die Weber“ („The Weavers“, 1927) by Frederic Zelnik, XVI MAGIS International Film Studies Spring School, Gorizia
  • 11.04.2018:
    Alexander Stark, Ménage-à-trois – ElisabethWilms‘ Advertising Film „Flirt mit einer Maschine“, The Love That Speaks Its Name: Advertising Film, New York University
  • 12.04.2018:
    Alexander Stark, „Help us help!“ – German postwar charity films by Elisabeth Wilms, The 11th Orphan Film Symposium, New York University
  • 04.06.2018:
    Karin Fleck, Nostalgia as a time out of joint, Nostalgia in Contemporary Culture Conference, University of Southern Denmark
  • 18.06.2018:
    Andrea Polywka, Hybrid moving images – animation practices and realism in contemporary feature films, 30th Annual Conference of the Society of Animation Studies, Emerging Researchers Seminar, Concordia University, Montréal
  • 27.06.2018:
    Nicola Braida, Media for Change?, Media Tactics and Engagement – The NECS 2018 Conference, Universiteit van Amsterdam and Vrije Universiteit Amsterdam
  • 28.06.2018:
    Alexander Stark, Tactics of a Professional Amateur – Researching Elisabeth Wilms‘ Sponsored Filmmaking, Media Tactics and Engagement – The NECS 2018 Conference, Universiteit van Amsterdam and Vrije Universiteit Amsterdam
  • 29.06.2018:
    Karin Fleck, Touching Records in Films, Media Tactics and Engagement – The NECS 2018 Conference, Universiteit van Amsterdam and Vrije Universiteit Amsterdam
  • 07.07.2018:
    Kalani Michell, Unboxing Film Culture, Edit Film Culture! Festival, Exhibition, Film Series, Berlin
  • 07.08.2018:
    Rebecca Boguska, Image Banks, Stock Photography and Documentary Representation, Visible Evidence XXV, Indiana University Bloomington
  • 19.08.2018:
    Alexander Stark, Collaborative Amateur Film Production in Sponsored Filmmaking and the Challenge of Retracing it, Graduate Symposium of the CSF Summer Seminar Media History of the Margins, University of Lausanne, Università della Svizzera Italiana, University of Luxembourg
  • 21.09.2018:
    Nicole Braida, Call for (Inter)Action: The Construction of Solidarity in Interactive Practices, Digital Cultures: Knowledge, Culture, Technology, Universität Lüneburg
  • 11.10.2018
    Marin Reljic, Die Ästhetik des Politischen bei Abel Gance Napoleon – Konzepte, Fragmente und Zitate innerhalb musikalischer (Neu-)Vertonungen, Symposium: Musik als symbolische Form, Travemünde
  • 15.11.2018:
    Verena Mund, Vor Geschäftsschluss. Chantal Akermans Working Girls-Film Golden Eighties, Lecture + Film series „Chantal Akerman: Die Erfinderin der Formen“, Deutsches Filminstitut und Filmmuseum, Frankfurt
  • 27.11.2018:
    Andrea Polywka, A Technical Marvel –Einsatz und Transparenz von Animationstechniken, 4th Conference of the German speaking Animation Studies Gorup (AG Animation), „In Wirklichkeit…Animation“, FH St. Pölten

2017

  • 05.10.2017:
    Nicole Braida, Ökonomie Interaktiver Webbasierter Praktiken im Bereich des Non-Fiktionalen, Jahrestagung der Gesellschaft für Medienwissenschaft, FAU Erlangen-Nürnberg
  • 09.12.2017:
    Kalani Michell, Cinema Journal in Your Ears: Podcasting Media Studies, Format Matters: Theories, Histories, Practices: An Interdisciplinary Conference, Mainz