The Graduiertenkolleg “Configurations of Film” invites you to take part in our screening series “Magnifying Mondays.” These events are an opportunity to discuss and reflect upon the material (photographs, films, websites, gifs, short films, excerpts, etc.) about which the researchers in the Kolleg are writing. There are time slots during the semester devoted to the series, which starts regularly on Mondays at 6 p.m. with a short introduction by the presenter(s).

Monday, October 21, 2019, 6 p.m. (s.t.), Media Room, 7.214

Der Weihnachtsbäcker (Elisabeth Wilms, D 1943)

Schaffende in Not (Elisabeth Wilms, D 1948/1960s)

Flirt mit einer Maschine (Elisabeth Wilms, D 1953)

presented by Alexander Stark

Monday, November 18, 2019, 6 p.m. (s.t.), Media Room, 7.214

“Liquid Images – Fluid Temporalities”:

H2O (Ralph Steiner, 1929)

Dripping Water (Michael Snow, Joyce Wieland, 1969)

Ten Skies (James Benning, 2004)

Transition de Phase dans les Cristaux Liquides (Jean Painlevé, 1978)

Seeing in the rain (Chris Gallagher, 1981)

Chuva (Madeira) (Jacques Perconte, 2012)

River Rites (Ben Russell, 2011)

presented by Antoine Prévost-Balga

Monday, December 2, 2019, 6 p.m. (s.t.), Film Room, 7.312

In collaboration with the Institute for Theatre-, Film- and Media Studies, the Institute for Jewish Studies and the project „Cinema Culture in Warsaw 1895/96-1939):

Grine Felder (Ulmer & Ben-Ami, USA 1937)

presented by Karina Pryt and Miriam Nebo

Monday, January 27, 2020, 6 p.m. (s.t.), Location to be announced

Streifen (Marin Reljic, D 2019)

Zum Beispiel Otto Spalt (René Perraudin, D 1988)

presented by Marin Reljic