{"id":3864,"date":"2025-05-25T16:25:12","date_gmt":"2025-05-25T16:25:12","guid":{"rendered":"https:\/\/konfigurationen-des-films.de\/?page_id=3864"},"modified":"2026-07-09T15:04:42","modified_gmt":"2026-07-09T15:04:42","slug":"call-for-papers-moving-image-remains-conference","status":"publish","type":"page","link":"https:\/\/konfigurationen-des-films.de\/en\/call-for-papers-moving-image-remains-conference\/","title":{"rendered":"Moving Image Remains Conference"},"content":{"rendered":"<div class=\"block-image\"><img decoding=\"async\" loading=\"lazy\"   class=\"alignnone size-thumbnail wp-image-3909 orientation-portrait\" src=\"https:\/\/konfigurationen-des-films.de\/wp-content\/uploads\/2025\/07\/nitrate-test_Final-conference-2026-442x450.jpg\" alt=\"\" srcset=\"https:\/\/konfigurationen-des-films.de\/wp-content\/uploads\/2025\/07\/nitrate-test_Final-conference-2026-442x450.jpg 442w, https:\/\/konfigurationen-des-films.de\/wp-content\/uploads\/2025\/07\/nitrate-test_Final-conference-2026-786x800.jpg 786w, https:\/\/konfigurationen-des-films.de\/wp-content\/uploads\/2025\/07\/nitrate-test_Final-conference-2026-1376x1400.jpg 1376w, https:\/\/konfigurationen-des-films.de\/wp-content\/uploads\/2025\/07\/nitrate-test_Final-conference-2026-768x781.jpg 768w, https:\/\/konfigurationen-des-films.de\/wp-content\/uploads\/2025\/07\/nitrate-test_Final-conference-2026-1510x1536.jpg 1510w, https:\/\/konfigurationen-des-films.de\/wp-content\/uploads\/2025\/07\/nitrate-test_Final-conference-2026-2013x2048.jpg 2013w, https:\/\/konfigurationen-des-films.de\/wp-content\/uploads\/2025\/07\/nitrate-test_Final-conference-2026-590x600.jpg 590w, https:\/\/konfigurationen-des-films.de\/wp-content\/uploads\/2025\/07\/nitrate-test_Final-conference-2026-1887x1920.jpg 1887w\" sizes=\"(max-width: 442px) 100vw, 442px\" \/><\/div>\n<h3>MOVING IMAGE REMAINS: ON THE REFUSAL TO DISAPPEAR<\/h3>\n<p>&nbsp;<\/p>\n<h3>International Conference<br \/>\n<span data-contrast=\"none\">January 29\u201331, 2026<br \/>\nGoethe University Campus Westend, Frankfurt<\/span><\/h3>\n<p>&nbsp;<\/p>\n<p>Absence dictates what we know, presence what we forget. In the realm of film and media the rediscovery of neglected fragments, traces of unfinished projects, and suppressed narratives offer a powerful means for unsettling dominant accounts. The international conference <i>Moving Image Remains: On the Refusal to Disappear<\/i> explores how material and immaterial remnants of film and media challenge dominant narratives and temporalities. Engaging with ghosted histories, unfinished projects, and marginal perspectives, the event examines the politics of remaining across archival, cinematic, and aesthetic practices. It brings together scholars, artists, curators, and activists to discuss how traces, absences, and afterlives of the moving image shape our understanding of media history and cultural memory. The conference is hosted by the DFG Research Training Group 2279<i> Configurations of Film <\/i>in collaboration with Produktionshaus NAXOS, Mal Seh&#8217;n Kino, and partner institutions.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MOVING IMAGE REMAINS: ON THE REFUSAL TO DISAPPEAR &nbsp; International Conference January 29\u201331, 2026 Goethe University Campus Westend, Frankfurt &nbsp; Absence dictates what we know, presence what we forget. In the realm of film and media the rediscovery of neglected fragments, traces of unfinished projects, and suppressed narratives offer a powerful means for unsettling dominant [&hellip;]<\/p>\n","protected":false},"author":28,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/konfigurationen-des-films.de\/en\/wp-json\/wp\/v2\/pages\/3864\/"}],"collection":[{"href":"https:\/\/konfigurationen-des-films.de\/en\/wp-json\/wp\/v2\/pages\/"}],"about":[{"href":"https:\/\/konfigurationen-des-films.de\/en\/wp-json\/wp\/v2\/types\/page\/"}],"author":[{"embeddable":true,"href":"https:\/\/konfigurationen-des-films.de\/en\/wp-json\/wp\/v2\/users\/28\/"}],"replies":[{"embeddable":true,"href":"https:\/\/konfigurationen-des-films.de\/en\/wp-json\/wp\/v2\/comments\/?post=3864"}],"version-history":[{"count":30,"href":"https:\/\/konfigurationen-des-films.de\/en\/wp-json\/wp\/v2\/pages\/3864\/revisions\/"}],"predecessor-version":[{"id":4229,"href":"https:\/\/konfigurationen-des-films.de\/en\/wp-json\/wp\/v2\/pages\/3864\/revisions\/4229\/"}],"wp:attachment":[{"href":"https:\/\/konfigurationen-des-films.de\/en\/wp-json\/wp\/v2\/media\/?parent=3864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}